She wipes at a stray tear rolling down her face.
She meets the eyes of the tiger beside her. They give
nothing away, only stare, unflinchingly, back at her. They are more ice than
sky, a shade too light to be pure blue.
“I understand now,” she says. He does not reply.
She kneels before him, putting her hands one either side of
his great snowy head. He feels more solid than even the ground beneath her
feet. “I know what I have done,” she says. “I understand now.”
He does not look or move away as she puts her arms around
him. He is as still as a statue.
She pulls him so closely her arms plunge through fur and
skin and into his very essence, and the feeling of realness, the coalescence of
her two diluted states, makes her gasp. There is no contrast, no expected
dichotomy that makes her withdraw. But it is hard. Harder than diluting
herself. It is so simple for salt to disappear into the vastness of the ocean,
yet to disappear into the vastness of the real world is another thing. Her
limbs feel heavy, the pain in her head increases. She does not open her eyes to
see the castle changing around her. Elements she has seen as thinly as gauzy
veils become hard and real. There is nothing transparent, though time has still
passed and its passage has changed much about her once-upon-a-time-home.
She does not open her eyes until she is sure she is herself.
There is no tiger in her arms, and her body aches with exhaustion and effort.
It takes a significant amount of bravery to open her eyes.
Text by Lucie MacAulay
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