Carefully constructed spires with crying degrees of height
and complexity, cupolas inscribed with looping black script like elegant
calligraphy, bartizans drawn with mythical beasts. A tower even has the tail of
a dragon wrapped around it in circles from top to bottom, though the dragon to
which it belongs is craftily hidden in the shadows of gray gates and garrisons,
and a tiny courtyard filled with gnarled white trees.
“Stop that,” her father snaps, extending his arm and
bringing a hand down on her paper palace, squashing it flat.
She sighs as he removes his hand, flicking away a
still-erect, if slightly dented, tower. Her father’s attention returns to the
piles of paper in front of him.
“Why? I’ve nothing to do, I am bored to tears.”
“I gave you something to do,” he answers without looking up.
“I finished it,” she says, waving her arm toward the layers
of overlapping symbols in precise detail on her journal.
“You need to do more,” he frowns and waves a hand at her
flattened castle, the paper rustling with the shift of air. “Stop squandering
yourself with this nonsense. I expect more from you, and you need the
practice.”
She turns away and pushes her hair from her face. “Why
father? It isn’t as though I am impressing anyone. What I do is hardly a feat
anymore, especially since you can do twice as much.”
“It does not matter what I can do,” her father snaps. “It
matters what you can do, which is not nearly enough.”
She sighs, understanding that there will be more symbols to
decipher in near-future lessons.
She picks up the first book atop a pile leaning against the
desk. The pile wavers but does not collapse. It is not the pile of ascribed
books approved by her father as a part of her curriculum; it is from his
personal collection.
Her father barely glances at the pages before his attention
wanders once more. She is relieved at his change of late, at his lack of
scrutiny at each glyph and inscription. Yet his complete unconcern for her
progress also unnerves her.
Art by Helen Musselwhite
Text by Lucie MacAulay
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