The ceremony is
intimate, consisting of only circus folk, predominantly dressed in black and
deep blue, save for Paikea, wearing a gown of deep charcoal and a lurid red
veil that covers her face from the bottom lashes of her grey-rimmed eyes down.
Tamas arrives in
a coal-dark grey suit that looks only slightly too big around the shoulders but
is a wonderful shade with his colouring. He hovers at the edge of the crowd,
not engaging directly in the mourning, but comforting mourners with
salt-stained cheeks and red-rimmed eyes.
Many expect the
elusive proprietor Sarastro to be in attendance, and despite the morbid excuse,
they wait in eager anticipation for his arrival. He does not appear however,
and when they discuss it after the fact they believe perhaps he is the
anonymous benefactor who contributed to the paying of the expense for the
funeral, and that he must currently be orchestrating the business end of the
circus at his address in London, as there must be some financial compensation
to be made for the time taken up by the company to organize Rose’s funeral.
Paikea welcomes
the guests with Farrin at her side, though he occasionally wanders off in the
direction of the gardens beyond the cemetery wall, collecting bouquets of fresh
flowers to fill crystal bowls and vases stationed at the end of the church
pews. Farrin collects bouquets of lilies, carnations and magnolia. While he
cannot find any roses there are countless bushels of them, damask roses,
dogwood roses, draped over chairs or in crystal vases and bowls.
Though
conversation among the sea of dour black dress is subdued, there are remarks
about her youth, about her being struck down in her prime. Many sigh and
remember her various tricks, their favourite acts of conjuring and
transforming. There are quiet tears, murmured condolences to those closest to
her, and whispers betraying curiosity as to her family’s whereabouts.
There are
whispers about the transience of life, and about how hers came to an end. Few
people know, and the answers others are met with prove dissatisfying.
The efforts are
dismissed when it is time for the ceremony to take place. Mourners file out in
groups and cluster around the grave.
The cemetery is
full of mist, the attendees’ boots barely visible on the ground under a layer
of white.
The wind carries
the scent of wet cemetery loam and lilies and oakmoss that make many funeral
goers shiver through the ceremony.
When it is over,
the coffin is lowered slowly, and many white roses are tossed onto its lid as
it descends.
Tamas tosses a
black top hat onto the casket, a cage of black silk obscuring some of the
roses. Someone sobs at the sight, though it may also be the sound of the
restless wind.
The dirt is
piled back in quickly at the sign of an approaching storm.
As the last
shovelful of dirt is tipped onto the plot, Pamina steps forward out of the
crowd and crouches next to Rose’s headstone. She places a hand against the damp
compact earth.
A handful of
performers move forward uncertainly, thinking perhaps the fortuneteller has
been too overwhelmed by the ordeal, but the earth begins to shift, the dirt
moving aside as a bright green shoot rises between her fingers. Other green
shoots follow, branching off and turning white, bursting into star-white
blossoms.
When Pamina
straightens a white rosebush grows across the headstone, obscuring most words
save from ‘In Loving Memory of Rose de Laqua’.
Some of the
performers linger after the ceremony, looking at the fresh plot of earth and
the bush of cloud-white roses.
By the time
there is a steady enough drizzle to require an umbrella only a handful of
attendees remain, Paikea and Tamas among them. Tamas holds an umbrella over the
shorter woman while she does up the topmost buttons of her bolero jacket,
meager protection from the increasing wind.
“What have you
heard of how she died?” Paikea asks Tamas, her voice wavering slightly. She
covers it with a cough and he pretends not to notice.
“Numerous
things, none that make much sense. What I have heard most often is it must have
been a failure of her heart. Though from what I knew of Miss Rose, she did not
have a weak heart,” he replies.
Paikea waves a
hand at the headstone. “Heart failure is it? It is the way of things, there is
an unexplainable occurrence, and it is explained, in any way that makes sense.
Simply pricking her finger on a rose thorn is nonsensical, so they have
explained it away with heart failure. Even those who prefer a more romantic
death would not believe she pricked her finger and passed away. It is the way
of most things,” she pauses and shifts beneath the umbrella. “It is the way of
the circus.”
There is
something uneasy in her tone; Tamas turns to her, carefully to keep her under
the protection of the umbrella, though his left shoulder is beginning to get
damp. “May I ask what you mean by that?”
“I mean, Tamas,
that we are constantly watched. We are a part of something meant to last
forever; this is the first of any injury that has occurred since the inception
of the circus. Anything that happens at this point I doubt is accidental.”
Tamas frowns,
and turns back to the headstone, now slick with the increasing rain causing a
pool of mud beneath their feet. “Do you think someone did this on purpose?”
“I think it
cannot be explained as a simple misfortune.”
Tamas does not
reply, and Paikea remains silent beside him. When they depart, the last of the
crowd to seek shelter within the church, the white roses are bowing in the wind,
petals in a flurry like snowflakes, pinned to the mud by the rain.
Text by Lucie MacAulay
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