Farrin has gone
off to the menagerie, a nameless tent filled with origami beasts that move like
real animals. Sage and Bensiabel spend the majority of the earlier evening
perambulating around the less busy parts of the circus.
They enter a tent almost completely taken up with a dreamcatcher strung with beads and crystals and silver bells. They take turns plucking at strands of the web, watching the motion pass through each wire, rattling pieces of quartz and ruffling black feathers.
Bensiabel tries
to memorize their path from the tent to the Moon Mirror, in the case that they
may wish to revisit it, but Sage convinces him to abandon the effort when a new
tent catches her attention.
The sign invites
them to Uncover What Is Secret and
the addendum below warns them to mind their heads. It is a useful suggestion,
as upon entering the tent Bensiabel almost walks into a myriad of stars hanging
level with his forehead.
The tent is full
of small paper stars hanging from the ceiling. The stars are affixed to diamond
threads, as fine as the veins in a leaf.
They cover the
floor, appearing clusters on black metal frames that twist and twine like
windblown trees.
On each wall is
a small shelf holding an inkwell and quills stained with silver. Small signs
instruct them to Disclose Secrets on
the strips of paper stationed beside the quills.
The tent is
illuminated by flickering silver flames in metal sconces.
Hundreds of
paper stars, secrets in black and silver cursive and print, sway in the white light
on the ends of strings.
Bensiabel steps
between the trees of stars protruding from the floor, weaving his way to the
centre of the tent and gently touching the soft paper wishes.
“Bensiabel,”
Sage’s voice comes from behind him, soft and hesitant. He looks up and finds
the expression on her face lightly distressed. Before he can ask if something
is the matter she asks, “Have you ever thought- has anyone told you that
everything that happens in the cirque is real?”
“What?”
“I mean…” Sage
trails off, her eyes on the floor, keeping her gaze from Bensiabel as she
decides what to say. “I know you can do things. Illusions and such. I know you
travel with the circus, with the fortuneteller.” She looks up, then quickly
down, averting her gaze. “I travel with someone too, I follow the circus.”
Bensiabel
watches her, feeling dumbstruck. He has had inklings of suspicion, and idea
that she is more involved than she has said, but hearing the words from her
lips is different, far more shocking. He cannot think of anything to say.
“Has she, has
she ever shown you things? Like magic?”
“Who?”
“The
fortuneteller.”
Bensiabel thinks
back to all of his encounters with Pamina. Their lessons are so contained and
involve so much concentration it seems they never do anything. But he has seen
small things occur, things appearing and disappearing, that he is certain would
not be possible for anyone but Pamina.
“Yes,” he
answers.
“So has Tamino,”
Sage says, taking a step forward, her eyes meeting his for the first time since
they have entered the tent.
“Who is Tamino?”
Bensiabel has never heard the name before, but the mention of a ‘him’ tugs at
his memory.
“Tamino is the
one I… work for?” Sage shakes her head. “The way you work for Pamina. But I do
something else, and it is for Tamino.”
She watches
silently while Bensiabel tries to reconcile the knowledge that there is another
in the circus with a secondary motive, and that it is Sage. When he has been
silent too long, Sage shifts uncomfortably.
“Would you like
to…” Sage trails off, gesturing to the canopy of paper stars suspended above
them.
He does not ask
what she means.
Sage focuses on
a string of stairs before them they drop off of their thread, hovering in mid
air. Several other stars follow suit. Sage clasps her hands behind her back as
the stars, one by one in a garland of silver and jet streak in arcs and loops
in the space between them. They pause in a circle, a halo of glittering
patterned paper, bobbing in the air as Sage raises an eyebrow at Bensiabel and
smiles playfully. The stars line up and ascend to the empty strings hanging
suspended from the ceiling.
“You can do the
same thing, can’t you?” Sage asks as the stars settle on their respective
strings once more.
Bensiabel is not
sure he could. He has never tried to influence an object in such a way. He has
not received as much education as he had initially anticipated he would and
manipulation has not come up before. “I don’t know. I haven’t really tried
before.”
Sage tilts her
head, regarding him steadily. “I’ve seen you though and you can. I wouldn’t
know much about it, but Tamino insists on honing my abilities, though I have no
idea what it has to do with my responsibilities, as he calls them. It is like
being caught in a wind and waiting for a storm that never comes, though you can
hear thunder and feel the first rain drops.”
Sage walks
around a circle of star speckled trees, widening the distance between them,
holding his gaze. “What are you meant to do?”
Bensiabel
follows her, circling in the opposite direction, his eyes occasionally
returning to the stars around them. “Pamina said I was supposed to watch the
circus. She did not specify what for, only that I should watch the patrons and
the tents and for anything, or anyone, unusual.” He pauses uncertainly. “For
the wellbeing of the circus,” he recites. It now strikes Bensiabel as odd that
he had been given such vague instructions, and that while Pamina expressly told
him that only a handful of people understood the true inner workings of the
cirque, she has emphasized the observation of suspicious characters within the
circus.
“What are you
looking for?” Bensiabel asks, curious as to what else there is to seek if not
for the safety of the cirque.
“Cracks.”
“Cracks?”
“Nightmares, is
what he also calls them. Places where the circus becomes dangerous or dark. He
says those are the cracks, where no one is controlling them.”
The stars
quiver; strands of them swaying with the motion, as though a short breeze has
disturbed them. Sage closes her eyes, appearing to compose herself, and the
stars settle.
“What does that
mean?” Bensiabel asks.
Sage seems to
struggle with a way to explain it. She has never been given the chance to
relate it to someone in a similar position, and it makes her feel both relief
and anxiety.
“Has Pamina
explained energy to you?”
Bensiabel nods.
Sage continues,
looking away from Bensiabel, focusing on a path lined with silver stars before
her, emitting soft incandescent light. “Everything requires energy. Every
manipulation needs a power source, a conduit. Power can be obtained from within
yourself, it is called working from the inside out. The opposite is called
working from the outside in, drawing power from an external source. Other
people, fire, wind,” Sage glances up, as though gazing through the canvas
ceiling to the sky beyond. “The moon. Something as complicated as the circus
requires a great amount of energy, too much to work within oneself. Tamino
believes the circus uses power from the moon, as an indirect energy source.”
“Indirect?”
“The moon
reflects the sun’s light. The way energy works is parallel. But whoever is
controlling the circus cannot control the energy. Cirque de la Lune is too big
to control alone, so there are cracks. Excess of energy, like a fire with too
much wood that flares out of control.”
Bensiabel
pictures it in his mind, a set of scales in which the energy on one side
outweighs the effects on the other side.
“How did you
know it was me?” Bensiabel asks. It bothers him that perhaps he was not as
inconspicuous as he had thought.
“When Tamino
suggested you were the other I began to watch you more, though I hardly
suspected you. But you seem so at home in the circus, as though you belong in
it. And the circus is different with you in it. It’s almost sharper. After you
mentioned… Pamina I was sure.” She pauses. “I hadn’t mean to confront you about
it. There seemed no point. How long have you known?”
Bensiabel shakes
his head. “I didn’t know until now.” He feels suddenly exposed, aware that she
has known much longer than he that they both have roles within the circus. That
she has possibly witnessed far more amazing things in the tents surrounding
them, and been able to explain them all. That every conversation they have had,
she has been aware of where they stand. “Has it been easier to look for nightmares,
knowing what I’ve been looking for?”
Sage smiles.
“I believe
neither of us have has had any advantages like that.”
Bensiabel turns
to the stars between them, countless lights bound in paper and ink. The focus
is immense, beyond what little he has practiced before. The stars rise en masse and tremble in the air.
Sage circles around
the field of stars until she stands next to Bensiabel. She reaches for his
hand, her fingers brushing bare skin.
The air ripples,
the stars expand and shift in a flurry of reflective paper folds and corners. A
sensation, the same sense of wonder and magic he feels in the circus, begins at
Bensiabel’s palm, spreading up his arm and through his veins.
“I’m focusing
for you,” Sage breathes next to him. She sounds breathless with the strain of
controlling her own energy as well as his.
Bensiabel can
feel her own energy, palpable and sharper than his, pinpointing his intent.
Sage sends a
star soaring across the abyss and Bensiabel responds in kind.
Sage laughs
delightedly as shooting stars collide in bursts of silver ink.
“Your parents
don’t really follow the circus, do they?” Bensiabel asks.
A star falters,
plummeting several feet before halting and reversing direction, following its
companions into the air. A tempest of stars.
“That I was
adopted by the Beaulieus is the truth. I have never lied, I just evaded.”
Bensiabel
decides against pursuing the subject. He does not feel as though she has lied.
“What can you do
with other inanimate things? Bensiabel asks, returning to the stars still
quivering in the air, and curious as to how their instructors’ methods might
overlap, and how they differ.
“Not much,” she
replies. “Not with intent. I impact my surroundings more than I actually
control them. My biggest effects occurred in the orphanage. Before Mr. Mrs.Beaulieu
plucked me from it and brought me to live with them.”
It is not the
straightforward answer Benisabel has been asking for but he does not press the
subject.
“Do you remember
you parents?” he asks her.
“No,” she
responds quietly. “I have a theory that Tamino orchestrated the adoption.” She
seems about to add something more, then falls silent.
Bensiabel feels
suddenly unsure. He had assumed Sage was chosen as randomly as he, as a patron
of the circus who met with some unspecified criteria. Knowing she may have been
chosen long before him, from before her first encounter with the cirque, he
wonders what other dimensions there are to this conflict between their
instructors.
“My earliest
memory is of the orphanage,” Sage continues, though when he turns to her she is
looking away, focused on a star of such supple blue paper that is caves under
her gaze, points and edges folding in until it is two dimensional and has
innumerable points. “A man in black approached me with the mistress of the
orphanage, and she looked nervous. I had never seen her look nervous. He asked
me strange questions and I answered. I could not tell what he was thinking, but
the air around him felt odd. Different. As though he was more aware of the very
air than everyone else. He left and I had not seen him for seven years after
that.”
“When were you
asked to watch the circus?”
“Only a month or
so before I met you. When he told me of the circus and the magic behind it, he
was a stranger. He was still a stranger when he asked if I would take to
watching the circus,” Sage says.
“But why did you
say yes?” Bensiabel asks, mystified.
Sage does not
look at him as she speaks, but at a star hanging in the vast chasm of space
between them. “He was the first person I met who could do the things I do. I
wanted answers. I cannot say he has been very helpful thought. And I fancied
the idea of learning magic in secret. I didn’t anticipate it would take such
concentration. I have been taught more of containing myself than of actually
manipulating things. I am not very god at manipulating people. And you hardly
need that talent. People always seem to like you.”
“People like you
too,” Bensiabel says. “Farrin and Mr.Hansen and Pamina. Pamina even knows who
you are. I don’t think I could enchant people that way if I tried.”
“Tamino, before
I truly knew who he was, had the same charm. It is probably in part why I chose
to follow the circus. I am not sure I would have chosen the same way I did if
he had explained it all to me. If he had told me I would have an opponent. I wasn’t
even aware there was someone working within the circus. I was only told what I
should do; I didn’t know there would be another.”
Bensiabel pauses
at a mobile of stars that emit flickering silver light, like some sort of
celestial chandelier. He glances at Sage, who is watching the slowly spinning
spectacle. Her face seems softer, as though a barrier between them has been
lifted and she is closer that before. “When did you know I was the other?”
Sage turns her
dark eyes on him and a curl of her hair falls across her cheek. “Not log ago. I
had the impression you were involved with the circus more than you let on. You
were also close to the fortuneteller. That’s how he knew. But I didn’t truly
start to suspect it until you started following the circus too.”
Some of the
stars unravel, long ribbons of paper inscribed with hundreds of wishes in
varying sizes and calligraphy.
“I’ve always
been told since I met him that balance is the most important aspect of
manipulation. Among other things.”
“Pamina always
stresses intent and meaning,” Bensiabel replies.
“He has
mentioned that. Free will as well. Or, the inability to take away free will.”
“When did she
explain it to you?” Sage asks, keeping her distance from him while she smiles.
“I still don’t
understand it all,” Bensiabel confesses.
“They aren’t
exactly forthcoming with their answers, are they?” Sage remarks. Bensiabel only
nods, agreeing once he realizes that while he has a collection of answers to
questions asked over the past year, he has only ever gotten obscure answers and
clues, nothing concrete or outwardly informative.
Bensiabel
continues. “Until a few days ago I knew only that there was another, some other
chosen person told to watch the circus in almost precisely the same way as I. I
considered everyone, every patron I saw or performer I watched. Though you
aren’t watching the circus in the same way, are you?” He looks up to see her
shake her head. When she does not speak he continues, curious and edging closer
to her in the snow. Their boot prints have left a trail of counter directions
and paths circling the trees. Sage stays on the opposite side of the fire, her
face glowing, her eyes catching his only when she is not looking at the bright
red flames. “I am meant to be watching you, though that isn’t exactly what I
was told. I was told you were my opponent.”
Sage looks up,
her eyes as dark as the swan-black sky around them, dancing with glints of
gold. “Are we opponents?”
He is silent for
some time. The idea of being at odds with Sage fills him with a frozen horror.
He had not imagined sides in this nameless ordeal, only the circus as a whole.
“I would not like to be. And I don’t think they have specified our roles in relation
to one another. Before they do, in the interim, I would like to be friends. I
will be honest with you.”
“I cannot see
you as antagonistic, no matter how I try. It would break my heart if I had to,”
Sage admits. “I would like to be honest with you as well.”
They glance at
each other and do not look away, silently regarding each other with small
smiles.
Sage turns her
attention back to the stars revolving on the ends of their strings.
“Does it ever
feel dangerous to you, Bensiabel?” she asks as the stars descend.
“Dangerous?” Bensiabel
has felt elements of the circus act alone, separate from everything else. Yet
he has never thought it unsafe.
“Like two winds
pushing at one another so everything between is caught in it,” Sage elaborates.
“No,” Bensiabel answers, curious as to whether she has felt
that way, to how her experiences within the gates have differed from his. He
wants to hear her stories. He feels that now they are aware of their positions
in respect with one another they can discuss aspects of the circus more freely.
Though Sage seems to take into account the manipulation aspect of the circus,
something Bensiabel has only considered in passing.
Sage breathes
deeply, as though the entire conversation has made her anxious. Without the
concern over their respective roles in the circus she can more easily enjoy
herself. “Thank you Bensiabel,” she says, and leans forward to kiss his cheek,
lingering. His ears feel rather warm.
They retrace
their steps around garlands of stars, between secrets and whispers, making
their way to the tent door. Bensiabel pauses as Sage pushes through the door,
looking back at the space they occupied, starry with ink blots among wishes
wrapped in gilded paper, secret hopes and dreams encased in stars and silver.
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