The boy
anticipated that he would disappoint his instructor, and himself. He feels
almost like a novitiate to some Arcanum of syllabary, as he takes up position
by the table and his black notebook, open to the night sky, and the birdcage
with the dead dove at the bottom.
His first
performance, Eli finds himself watching the crowd’s every reaction, and
focusing on the dove more than he needs to. He soon concentrates more on the
audience than the raisings.
There is a
pattern in the reactions of the audience, revulsion at the dead animal, or its
death, confusion, curiousity, and a mixture of horror, disbelief, and wonder
when it blinks and breaths and meets their eyes with its own.
But some
audiences react more strongly, some are less impressed, some do not beliebe in
it and only clap politely as they would for a common street magician. Eli finds
their reactions influence his performance, indicating when he should make a
flourish, or how long a dramatic pause should be.
Now he finishes
his performance and bows lowly as the crowd disperses.
Mr.Marshall
informed the company only the day before that the game would commence at
midnight precisely. Eli’s performances are scheduled such that his performance
nearest to midnight ends five minutes prior. Now, faced with only a few minutes
until the beginning of a game he does not know how to play, he feels unsure.
His hands shake slightly as he opens his cage and gently puts the dove inside,
next to the dove from his interview with Mr.Marshall.
When he is not
performing, Eli’s supplies and resurrection paraphernalia is kept in a small
tent erected in the shadow between two stalls. It takes only a minute to move
his table, his cage, his leather bound book, into the tent, and when he is
finished, he stands in the concourse, glancing around at the vendors, each
keeping an eye on some timepiece, eyes/gazes flickering to clocks or pocket
watches as the hands tick closer to midnight.
“Are you looking
for a place to start?” a lady from one of the stalls across the avenue calls to
him. Eli startles. He walks closer to her and replies, “I’m not sure how to
start.”
“You have to
find a starting point. Mr.Marshall has set up hundreds by now,” she says, then
pauses. She eyes Eli with an almost amused expression. “This is your first time
playing a game like this, isn’t it?”
Eli blinks at
her a few times before nodding his head.
“You can start
with us,” she offers. “We’ll help you.”
A man, younger
than Eli, though the same age as the girl, he guesses, appears from behind the
stall.
“I am Alice
Fairchild,” the young lady says, holding out a hand covered in a white lace
glove. “And this is Michael.”
“Elidor Kells,”
Eli says, taking the hand and shaking it. He shakes Michael’s hand too, though
the young man takes it reluctantly, and releases his grip shyly. “Pleased to
meet you, Miss Fairchild, and Mr.Fairchild.
“I forbid you to
call me Miss Fairchild. In fact, refer to neither of us by our surnames.
Please, call me Alice,” she says.
Eli hesitates,
then nods. “If you will call me Eli.” He pauses and glances at the other
stalls, where vendors are glancing at their wrist and pocket watches. “How do
we start?”
“We’ll help you,”
Alice says again, and grasps his hand. Eli almost steps back in surprise, as
Michael comes to stand on Alice’s other side.
“Don’t worry,”
Michael says, quietly.
Before Eli can
ask why he would worry, and if he should,
something begins to happen.
Elements of the
market are slipping away. Becoming softer and paler. They appear like ghost
images layered overtop on another. They fade until everything is transparent.
When Eli puts
his hand up to touch the tender crinkling paper of a swaying lantern, he feels
only a slight resistant, like pushing against wind. There is the merest hint of
heat as his fingers pass through it.
Then his hand
falls away as Eli is overtaken by a sudden wave of dizziness that feels as
though he has been thrown, but instead of landing on firm ground continues to
fall through the open air.
The world around
him shifts between light and darkness, never settling. Dots of colour dance
across his vision.
Eli feels
lighter, weightless, as he stands. And still slightly dizzy.
Beside him,
Alice and Michael are already standing, though they seem disoriented too. Alice
turns to him, watching him with concern as he dusts off the knees of his
trousers. “Are you alright? The first time is always bothersome.”
Eli nods,
slowly. He blinks. “What happened?” he asks, when he finally notices that they
are in the market, but it has changed significantly.
Everything in
the market is pale, save for themselves. Alice and Michael appear particularly
vibrant in comparison, with their bright eyes and colourful outfits. They are
the only substantial things.
“Think of it as
a diluted state. You’ve been diffused. You’re less concentrated, like wine
poured into a jug of water. Only, instead of the jug, it’s a market,” Michael
says.
“You’re on
another layer of the market,” Alice says, trying to clarify it to Eli.
“But we’re still
in the market?” Eli says, as he focuses on the sensations around him. He has
the impression that he is not within the market, but overlapping it.
“Of course.
Where else would the game take place?” Alice says, laughing.
Michael smiles
at the expression on Eli’s face. “This is what we use the starting point for,”
he says.
Alice turns to
Eli as she smoothes her skirts. “Supposedly, people used to be able to dilute
themselves without a starting point. Now you have to find a spot to…”
“To step from
one layer of a place to another,” Michael finishes for her.
As his
vision/sight sharpens and focuses, Eli realizes that he and the Fairchild
siblings are not alone. Other members of the market company are just as
vibrant, and they are walking among their transparent surroundings with a
purpose.
They pass
through stalls as though passing through water, moving from avenue to avenue
without the need for turns or intersections. Eli can see someone dressed in
bright scarlet from six avenues away, appearing like a red dot in mist.
“You’ll get used
to it,” Alice reassures him, looking at his discombobulated expression. “And
you’ll be able to dilute yourself on your own.”
“So long as you
are in the market,” Michael appends.
“But we should
really start looking,” Alice remarks.
Michael
hesitates before saying, “If you would like to start this game with us-“
“Oh, yes. Please
do. Games are always much more fun with company,” Alice says.
Eli glances
around, unsure even where to begin looking. “Yes. That sounds great.”
As they begin to
traverse the pathways of the market, Eli learns more about his companions and
their roles in the market.
The Fairchild
siblings, while adopted, look deceptively similar. Both have the same fine
cheekbones and pale complexions, and the set of the mouth that makes them look
mischievous and childlike, though one of them is more reserved in person, and
his eyes are often solemn compared to his foster sister’s. Alice is more
outgoing and capricious than her brother, but Michael is perceptive and
thoughtful. While she is the more imaginative of the two, and thinks up most of
their endeavors, Michael is pragmatic about details, and catches his foster
sister’s oversights when they occur. Together, they compliment each other well,
and those that do not know them well enough would swear that they are brother
and sister.
They have many
talents, but the majority of their skill lies in the design of miniature
buildings, which they carve from all manner of materials, and sell when the
market opens. Alice draws out their concepts, sketches of balconies and doors
and ornate stairs, and Michael calculates measurements and angles. The results
are ornate and painstakingly detailed palaces and mansions no bigger than a
shoebox.
Their current
project involves carving a palace from ice, with turrets to hold small flames.
Alice insists the fire is essential for that aesthetic quality, but they have
only succeeded so far in one tower out of many staying solid in the presence of
their body heat, let alone a small flame.
Alice walks
beside Eli, speaking for most of their journey. After a time, Eli feels perhaps
they are talking and walking more than they are actually searching. The
Fairchild siblings appear to be paying more attention to him than the game.
“I’ve heard that
his is the first game he’s held,” Alice whispers conspiratorially as she leans
in.
“The first
game?” Eli repeats.
“I know,” she
says, eyes glittering as Michael nods gravely. “I’m not sure how he’s going to
do it. It’ll be very difficult to manage something so big. For a first time.
But,” she lowers her voice further. “I’ve also heard he hosts wonderful
parties.”
“I did not know
people played games like this,” Eli says, ducking his head in embarrassment. “I
knew nothing of other sorts of manipulations and… magics, before I came here. I
did not know others could do what I have been taught in secret.”
Alice looks at
him in surprise, and Michael offers a small smile of sympathy.
“Where did you
learn it all?” Eli asks.
“Our instructor
taught us, of course,” Alice says.
“You were
taught, too?”
“Everyone here
was tutored,” Alice continues. “Our teacher once mentioned that students
weren’t always privately tutored. They learned in schools. Large universities
or academies hidden from the rest of the world-“ Michael begins, before his
sister cuts him off.
“It isn’t hard
to hide things from the rest of the world. They don’t look very hard,” Alice
remarks.
“-and the only
students in the academies who were tutored were the special ones. The gifted
ones. But those ended a long time ago. The last academy was in Vienna, before
it fell,” he says.
Eli is silent,
pondering the existence of an entire community of others who were perhaps
trained like him. He wonders why, with brief annoyance, his instructor did not
mention it.
“You get to
perform in the middle of the concourse. Mr.Marshall must think you’re very
special. It’s quite a privilege,” Alice says, suddenly.
“I’m… sorry?”
Eli says.
“Don’t be,”
Michael says as Alice waves his apology away.
“I don’t care,
so long as the game is played fair,” Alice says.
Text by Lucie MacAulay
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