The story of my
dream is like this: when I was seven I dreamt a man with grey eyes. Grey is an
inconspicuous colour; the colour of the sky on a day when no one notices it.
But his eyes are grey in a hollow way that catches your attention. A way that
is so placid it’s violent. Like a declaration; not of a war that’s about to be
fought, but a death that’s already occurred.
Looking into his
eyes was like being eaten alive, and that was before he moved.
The first time
is foggy. I thought, because it was the first dream of him, that I would
remember it. But since then, the long list of dreams containing the grey-eyed
man has coiled in on itself and it’s impossible to tell one nightmare from
another.
I’ve had dozens,
or hundreds of these dreams. In them he holds down my wrists and cuts them, or
presses his thumbs into my throat until I forget what it is to breathe. I wake
feeling as though I’ve been stabbed in the chest.
I remember when
I had fewer dreams. When I moved to Oxford, I was convinced that I’d left him
behind. I did not dream about him the first night. Nor the second or third. For
two weeks he was not in my dreams at all. England has a perpetually grey sky,
but this didn’t bother me.
I kitted out the
apartment with things that suited me; new/old bookcases from vintage shops and
roadside trades. I filled them with my books, then got a new mattress to
celebrate the two best weeks of sleep I’d had in a while. I got a coffee every
morning for a week at the café two blocks away, so the baristas came to
recognize me and remembered my regular order. They smiled as if it were a
secret we shared. I tipped generously.
On my fifteenth
day in Oxford, he appears in my dreams. He kneels on my back, a rope wraps
around his hands, pulled taught between them. He puts the rope under my neck
and wraps it around, squeezing and lifting so I look toward the sky. I know I
must be dreaming; I’ve always been lucid while this happens. But knowing that
I’m dreaming doesn’t chase away the terror, does not make my heart beat more
slowly when I wake.
I’m not a stupid
person. I know about lucid dreaming, about night terrors and sleep paralysis
and anxiety disorders. I know that the feeling of being unable to breathe isn’t
real, because if it were, my body would wake me up immediately so I could do
something about it. But they are long minutes, the ones between the grey-eyed
man appearing, and my breathing reflex stopping in the dream.
I have no
routine when I wake up. Some nights are worse than others. That morning, after
the first dream, I check my neck in the bathroom mirror for a red line. It is
my greatest fear, that I would never admit to anyone. That I would see some
evidence of the grey-eyed man’s actions. Proof that he exists in the same world
as me.
The students
live in what they call the Oxford bubble. They do seem contained to their lives
within the residences, colleges, and library. Oxford itself seems to exits in a
bubble. It is old and, when the grey sky presses down with the promise of rain,
it feels isolated from the rest of the world. It is comforting when one runs to
the café with bags under one’s eyes, every morning. Oxford never changes. It is
one of my favourite things about the place. I hoped to make it permanent, when
I first moved. Permanency was a tricky thing. The idea of it was impermanent.
This night, when
I open my eyes, he’s at the foot of my bed, where a dog would be. He’s watching
me, as though he has been for ages. His grey eyes are the most startling thing
in the room. Even his shape seems more frightening than any black shadow.
Without raising a hand, he reminds me of claws. Not a creature with claws, but
claws themselves, and the way they curve, like beckoning fingers, like hooks,
pulling you in.
I can’t take my
eyes off him. I’ve never been able to. My heartbeat drowns out all other noise
until he moves. He comes to the side of my bed and straddles me. I can feel the
heat of his body as he leans over me and puts his hands around my neck,
pressing his thumbs into my windpipes. I could draw marks on my own neck in
exactly the shape of his thumbs. He begins to squeeze.
Light flashes
through the room as a car goes by outside. There’s a digital clock in the
living room. I can’t make out the hour, but the last two red numbers are 57. His
thumbs press a little harder, and a bubble of air gets trapped in my throat.
The last of my air. When the last air is gone, there’s no more. As though the
world has filled with water. I can’t breathe. I can’t
The next
morning, I don’t get coffee. I walk and walk until I find a bookstore. I buy
enough to fill the last two shelves in one of my recently acquired bookcases. I
buy lunch and eat it in Oxford University Parks. I buy produce for dinner, a
loaf of bread, butter, and jam. I go home and put the produce away. I’ll use it
another day. I make my toast and scrape butter and jam over it. When crumbs get
stuck in my throat, I wash them down quickly with white wine.
I’m not sure
when I fall asleep on my couch. Sleep creeps up slowly, but then it is right
behind you. It has you before you can see it. A crafty thief or assassin. It
brings with it the grey-eyed mad.
This time he has
a washcloth. He puts it over my mouth and think that this time he means to
suffocate me, like he once did with a pillow. But for a moment I lie on my
sofa, with a cloth over my face, blind and smelling the clean cotton smell of
the cloth.
Then he pours
water on my face. It’s as if the world has filled with water. There is nowhere
to turn where I won’t inhale water. My lungs begin to splinter as oxygen
abandons them. My brain turns to mush, and spasms all at once. Every bit of me
tingles like pins and needles. I reach up to claw at him. I’ve never touched
him before. I scratch his skin. It feels like normal skin. My hand comes away
wet.
In the morning,
my body is heavy as iron, my eyelids feel like lead. I force myself to get up.
I’ll leave Oxford soon, and I’ll try to leave the grey-eyed man behind with it.
I put off going to the bathroom, but I do it eventually.
I don’t know
what kind of marks drowning would leave. I don’t feel anything sloshing around
in my lungs (not that I would know what that feels like), and my mouth is dry.
I look at my cheek. There is a long red cut, as though I’ve run a knife across
it.
I look at my
nails. There is blood under them. I wash my hands. Then my face.
I wash and wash
until there is hardly any evidence.
Art by Kira
Text by Lucie MacAulay